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Read an Academic Passage

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Read an Academic Passage Test #303

Read an Academic Passage

Painting in the Dutch Golden Age

The 17th century in the Netherlands, known as the Dutch Golden Age, was a period of great economic prosperity and remarkable artistic output. After gaining independence, the Dutch Republic became a major power in global trade. This wealth created a new and expanded class of patrons for the arts, primarily affluent merchants and citizens. Unlike in other European countries where the Church and aristocracy were the main sponsors of art, the Dutch market was more democratic and commercially driven.

This shift in patronage had a profound effect on the subject matter of paintings. Artists of the period, including masters like Rembrandt and Vermeer, increasingly turned their attention to scenes of everyday life, portraits of individuals, landscapes, and still lifes. This style, often called genre painting, was characterized by its realism and meticulous attention to detail. The art celebrated the values of the new republic: domesticity, hard work, and commercial success. The dramatic use of light and shadow became a hallmark of the era's style.

The art market of the Dutch Golden Age was highly competitive, which encouraged many artists to specialize in a particular type of painting, such as seascapes or floral still lifes. This specialization led to an exceptionally high level of technical skill and innovation within each genre. Although the Golden Age eventually came to an end as the Dutch economy declined, its artistic legacy was immense, influencing painters for centuries and establishing a new, more intimate relationship between art and the public.

1. What is the passage mainly about?
A) The biography of the artist Rembrandt.
B) The economic decline of the Dutch Republic.
C) The unique characteristics of Dutch Golden Age painting.
D) The techniques of landscape painting in the 17th century.
2. The word "hallmark" in the passage is closest in meaning to
A) secret
B) flaw
C) defining feature
D) minor detail
3. It can be inferred from the passage that art in other European countries during the 17th century
A) was more likely to feature religious subjects.
B) was less expensive than art in the Netherlands.
C) was primarily focused on still life painting.
D) was less technically skilled than Dutch art.
4. According to the passage, who were the main patrons of art in the Dutch Golden Age?
A) The government and public institutions.
B) The Church and the monarchy.
C) Wealthy merchants and citizens.
D) Other artists and art schools.
5. How does the second paragraph relate to the first?
A) It provides examples that contradict the claims in the first paragraph.
B) It explains the artistic consequences of the social changes described in the first paragraph.
C) It discusses the economic decline of the period mentioned in the first paragraph.
D) It focuses on a single artist introduced in the first paragraph.

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